Description
As a result of so much thoughtful artistry and music-making, the editors of this book were fortunate enough to bring together the talented authors whose work comprises it as they raise, clarify, and even attempt to answer some of these questions. Thankfully, their creativity and innovation are worthy of the Post-Punk creatives about which they’ve written. And, their varied and eclectic perspectives are akin to the variety of influences that led to and help make Post-Punk such a unique and beloved art form.
So, that’s how we got here; through and past the downward spiral of Punk’s initial wave, alternative rock music came out stronger and even more diverse and compelling with the advent of Post-Punk, and we are now in a position to reflect deeply on the movement as a whole. Perhaps if we think carefully enough about it all, we might even be able to discover where we go from here.
Post-Punk and Philosophy is a worthy follow-up to Punk Rock and Philosophy (2022), also edited by Heter and Greene, hailed as “a really fascinating book reflecting diverse points of view: thought-provoking, intelligent, and controversial” (John Holmstrom, founding Editor-in-Chief of PUNK magazine).
About the Editors
Along with Post-Punk and Philosophy, Joshua Heter is a contributing editor and author of other philosophical works. Additional writing credits include Westworld & Philosophy: Mind Equals Blown, and The Man in High Castle & Philosophy: Subversive Reports from another Reality, both available from Open Court Publishing. Joshua is currently an Assistant Professor of Philosophy at Jefferson College in Hillsboro, MO.
Richard Greene is Professor of Philosophy and Director of the Richards Richards Institute for Ethics at Weber State University. He is the past Director of the Intercollegiate Ethics Bowl. Additionally, he is the author of Spoiler Alert: It’s a Book About the Philosophy of Spoilers, and has produced twenty or so edited books on pop culture and philosophy. He also co-hosts the popular podcast I Think, Therefore I Fan.
carusbooks –
“Post-Modern, Post-Truth, and yes—Post-Punk! Punk was at least an attitude, born of dashed optimism. So now what? Post-Optimism? Well, get a six-pack, after your holiday in the sun, and curl up with this book. Read it!!!”
—Theodore G. Ammon, Editor of David Bowie and Philosophy: Rebel Rebel (2016)
carusbooks –
“A welcome addition to the growing body of thoughtful writing on this thrilling musical moment. Framing its subject with a multitude of philosophical approaches including dialectics, aesthetics, and existentialism, this collection will spark a whole lot of debate on the meaning and value of Post-Punk.”
—David Wilkinson, PhD, author of Post-Punk, Politics, and Pleasure in Britain (2016)
carusbooks –
“This grand collection of essays has me revisiting every inch of a genre of music that many wrote off as hollow echoes of art and technology. What this book reveals is that it was art and technology born out of loss, loneliness, anxiety, and uncertainty, and I’m here for it.”
—Rob Hawthorn, co-host of the podcast, Deep Dives and Deep Cuts: Punk, Post-Punk, and New Wave 1976–1986
carusbooks –
“Post-Punk is sometimes seen as Punk Rock’s more brainy offspring. From the Western philosophical tradition to feminist theory and global indigenous thought, the chapters in this exciting volume engage us in a bracingly original thought-experiment about the significance of popular music culture.”
—Gavin Butt, author of No Machos or Pop Stars (2022)
carusbooks –
“An exhilarating collection of chapters that delve into the multifaceted topic of Post-Punk and the philosophy contained therein. It draws upon insightful schools of thought, explored with great articulacy, focused on a time and place that I experienced personally. Could this be the definitive volume on the subject?”
—Mike Joyce, drummer for The Smiths